Creators and artists of all persuasions cannot count on gatekeepers. Many publishers and corporate sponsors do not have the creators’ interests in mind, only their own. That gives social justice warriors a vulnerability to exploit.

Earlier this week, political interest groups used deceptively edited footage to assassinate Milo Yiannopoulis’ character. The edited clip showed Yiannopoulis apparently defending paedophilia, leaving out the entirety of his argument: the law on age of consent is proper; in some rare cases a sexually mature teenager older than a child but younger than the age of consent may give consent; intergenerational relationships between younger and older gay men, both of them above the age of consent, are beneficial; and that paedophilia is an unforgiveable crime. The lie caught like wildfire across the Internet, prompting Simon & Schuster to cancel Yiannopoulis’ book publication. Yiannopoulis himself opted to resign from Breitbart to draw fire away from his colleagues.

Yiannopoulis is not a one-off event either. Disney-owned Maker Studies and YouTube severed ties with YouTube sensation PewDiePie after he was accused of making anti-Semitic content. Bestseller author Nick Cole’s former publisher dropped him after objecting to a chapter in his work Ctrl-Alt-Revolt that likened the antagonists’ motivations to abortion.

Social Justice Warriors and progressives of the Ctrl-Left know that gatekeepers are fragile. Stir up enough of a controversy and the gatekeepers will fold – if the gatekeepers are not themselves already converged by SJWs to suit the ends of SocJus. This trend can only continue into the future: now that authors and publishers are hiring ‘sensitivity readers’, one can expect Big Publishing to weed out and reject every doubleplusungood thoughtcrime book and author.

From Crisis, Opportunity

Cleaving to fragile gatekeepers makes creators fragile. The fickle whims of the crowd will inevitably turn against anyone SJWs do not approve of, even their own allies. SJWs will always eat their own.

Creators must seek to be antifragile. Every crisis becomes an opportunity for growth.

After Nick Cole wrote about his being dropped, he signed on with Castalia House to release his novels. When Roosh V was attacked by feminists and slandered by the media, he went on the offensive and increased his own popularity. Milo Yiannopoulis is now setting up his own independent media network.

The lessons are clear. Build your own brands and platforms. Never count on gatekeepers to protect you; always go indie if you can. Never give in to the howling mobs of never-to-be-placated Social Justice Warriors. When mobbed, always counterattack at the earliest possibility. Study Vox Day’s seminal work, SJWs Always Lie, and be prepared for the inevitable wave of shrieking harpies. If you must work with publishers, select those that will not bow to the whims of SocJus, like Baen or Castalia House.

To be famous in the modern age is to attract the jealousies and intrigues of lesser people whose only talent is to lie and shriek and denounce. But as these men have demonstrated, the skilful creator can turn the situation around for his own profit. Antifragility is no longer an intellectual curiosity; for creators, it is a critical life skill.

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Image: SJWs Always Lie: Taking Down the Thought Police by Vox Day