Tag: Writing

  • The Future Form of Fiction

    Recently, Brian Niemeier argued that success in indie publishing demands a prolific release schedule. This, in turn, demands short novels. I think he’s right. The maths is simple. A 50,000 word novel can be edited, formatted and published much faster than a novel of three times the length. An author who releases four books a…

  • Chasing Literary Awards Won’t Promote Singlit

    Epigram Books, a Singaporean publisher, is aiming for the Man Booker Prize. As part of its goal, it has opened an imprint in the United Kingdom, so that its offerings will be eligible for the Prize. Founder Edmund Wee believes that the publicity generated from such an achievement “would be a turning point for people…

  • The Pulp Speed Transformation

    NaNoWriMo challenges participants to write 50,000 words in a month. An enormous undertaking for any writer, especially hobbyists and newcomers. But having written at Pulp Speed for the last two months, the NaNo challenge suddenly seems diminished. In September I wrote about 75000 words. In October I clocked 108000. In the past 4 days, 17000…

  • 5 Lessons from the Slush Pile

    Over the past couple of months, I volunteered as a slush reader for the PulpRev Sampler Anthology. With a submissions window of just seven days, writers had to produce punchy pulpy pieces of 750 to 1500 words. For a project with little fanfare and such a short reading period, the response was phenomenal. With submissions…

  • The Quest for Pulp Speed

    A little over a month from now, thousands of writers will once again attempt the NaNoWriMo challenge. Once again, many will fall. NaNoWriMo is simple: write fifty thousand words in thirty days. An admirable goal, and a challenging one. For the past ten years, the success rate hovered between a high of 19% in 2009…

  • When In Doubt, Go Epic

    Whenever I plan a story, I occasionally run into hang-ups. The setting isn’t coherent, the technology and/or magic system isn’t evenly applied, the characters aren’t plausible, the plot lacks history or context, the stakes are too small. In every single instance, they are resolved by the use of a simple expedient: make everything bigger, brighter…