Tag: Writing
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A Pulp Perspective on Urban Fantasy
What is urban fantasy? A fantasy story set in a city. A simple definition. With that, you could have a story of jinni and magi in late 19th century Istanbul, an occult detective solving supernatural crimes in 1920s New York, a half-elf mercenary working a corporate contract against a clan of dragons in the Hong…
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Pulp on Pulp is Available for Preorder!
Last year, Misha Burnett and I put together a call for submissions for an anthology of essays on pulp fiction. Titled Pulp on Pulp, it collects tips, tricks and advice on the art of writing pulp fiction from some of the up and coming names in the growing PulpRev movement. Pulp on Pulp was meant…
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Yakuza 0 and the Art of Writing the Anti-Criminal
Kiryu Kazuma is a bad guy. Kiryu Kazuma isn’t a bad guy. The main protagonist of most of the games in the long-running Yakuza franchise, Kiryu Kazuma is the heart and soul of the series. Yakuza 0 explores his origins as a low-level member of the Dojima-gumi and his involvement in an underworld struggle to…
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Looking Back on 2020, Looking Forward to 2021
2020 shook up the entire world. Yet somehow, my writing, and my blog, saw modest growth. For years, on days when I didn’t post anything, my blog saw a daily visitor count in the single digits. Now it has broken into the double digits on silent days. Visitor counts on days where I do post…
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Speak with the Weight of Three Thousand Years
While watching the Chinese animated film Jiang Ziya: Legend of Deification, a thought struck me: The Chinese language is uniquely suited for epic fantasy. An epic is set in a time before living memory, celebrating the accomplishments of heroes, whose dealings with gods and demons and spirits profoundly shape the mortal world for succeeding generations.…
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Sheriff of the Swamps Chapter 1
James Wood heard the car long before he saw it. In the quiet of the woods, sound carried a long way. Loose gravel crackled under heavy tires. The engine purred, low and smooth and steady. A twig snapped. One vehicle, moving slowly, navigating the final turn into the farmhouse. Not an assault. Or so the…