Category: The Writer’s Craft
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7 Writing Lessons from Wonder Woman
Wonder Woman doesn’t suck. After reading all the rave reviews and the recommendations about the movie, actually seeing it felt like a disappointment. Wonder Woman isn’t a terrible film by any measure, it’s just that I have a high bar for entertainment. Indeed, it accomplished what it set out to do: tell a straightforward superheroine…
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Tired Tropes: It’s Only A Flesh Wound
You’ve seen versions of the scene a hundred times before. Our Hero is engaged in a gunfight with The Villain. The Villain takes a potshot at Our Hero. Our Hero staggers. When his sidekick catches up with Our Hero and asks after him, Our Hero declares, “It’s only a flesh wound”. In the next scene,…
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How to Write Someone Else’s Martial Arts
Fight scenes are fun. Fight scenes featuring believable techniques are even more fun. If you already know martial arts, incorporating them should be easier. But what if you don’t? Or if the story calls for characters to use other martial arts you haven’t studied? It’s a question I faced when writing recent stories. My latest…
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Thoughts on the Isekai Genre
Fantasy writers need to solve two problems. They need to create a believable fantasy world significantly different from ours that allows for fantasy elements. But this world and the people who live in it can’t be so fantastic that they alienate their audience. The isekai story offers a neat solution. ‘Isekai’ is Japanese for ‘other…
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Tired Tropes: The Superpowered Loser
Everybody knows That Guy. He’s in the corner in the dorky clothes, his eyes always trained on the floor, either mumbling in hesitant whispers or holding court in long droning tirades. He holds a dead-end job and lives in a dead-end home, either in a tiny danky apartment or his parents’ basement. He’s got no…
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Tired Tropes: The Potato Protagonist
If a potato has more personality than the protagonist of a story, the writer is doing it wrong. The best stories are driven by their characters. The best characters aren’t two-dimensional constructs of excessive verbiage, but a reflection and amplification of the myriad facets of humanity. Characters must resonate with readers, acting, talking and thinking…